different aesthetic preferences

century suggested this was the case. But increasing numbers of builders worried that the adulation of the past produced dead, stagnant structures that were irrelevant to the modern world. Wherever they came down on this matter (and there was a wide middle ground), numerous commentators with different aesthetic preferences could agree on damning random and eclectic historical borrowing—even if they might have disagreed on what constituted an example of that tendency. Perhaps no writer treated this historicizing, classicizing eclecticism with more vitriol than the perpetually worked-up Ayn Rand. Her architectural-philosophical melodrama The Fountainhead สล็อตเว็บตรง